Daniella Bertrand was one of many students who participated in the fall semester’s only dance concert.
Sarah Gawlak, a senior biochemistry major, has played the trumpet in the UB Concert Band since her freshman year. But this semester introduced new challenges that even this long-time musician never experienced before.
With Buffalo COVID cases rising and social distancing measures still in place, UB’s theatre and dance department has had to get creative with how to showcase student and faculty work, while still following university protocol.
Kelsey Wegman used to never want to share the stage. Like most dancers, she dreamed of big, dramatic solo numbers, dancing center stage, spotlight following her every move. But now the sophomore dance major wants nothing more than to pirouette next to her peers. Her private studio space is lonely, and watching her friends dance from hundreds of miles away during Zoom classes just isn’t the same.Dance students find unique ways to practice their craft in quarantine
Buffalonians got a taste of absurdity Saturday night when three blue men stormed the stage at Shea’s. The Blue Man Group performed at Shea’s Buffalo for its “Speechless Tour” as the four performers -- Meridian, Mike Brown, Steven Wendt and Adam Zuick -- showed audience members why the performance art company has remained popular ever since it was first started in 1987.
When “Jesus Christ Superstar” debuted in the ‘70s, it shocked audiences with its loud rock music, modern themes and non-traditional biblical interpretations. While rock is no longer the radical genre it once was, the latest U.S. tour has updated the revolutionary musical with aspects such as hip-hop choreography to help keep the show relatable for new generations.
In a musical time where hip-hop and pop dominate arena concerts and punk shows run underground venues, it feels like classical music is underrepresented in the performance scene. But it isn’t hard to find it at UB.
In most magic shows, magicians will make something seemingly disappear. While that “something” usually doesn’t include their own clothing, two Australian magicians have created a world-renowned show that features magic without pants.
Dancing sweets, giant mice and a Nutcracker came to life –– literally –– and contributed to a magical staple of the holiday season at Shea’s Performing Arts Center on Saturday and Sunday. Locals were able to experience this popular story of “The Nutcracker” performed live in its 11th year in Buffalo, with mystical charm and astute accuracy by some of the best visual and performance artists in the area.
Zodiaque Dance Company doesn’t always have to be on stage to entice its crowds. During this weekend’s performances, Zodiaque won over audiences with “As Within, So Without,” a pre-recorded, on-stage visual display.
You may have heard a few Scottish accents if you passed by the Black Box Theatre this week. But they weren’t all real.
Coloring pages and Dr. Seuss books covered tables outside of the Katharine Cornell Theatre Friday, as children and families waited in line to see the first-ever UB-led performance from an iconic cat. UB students performed a theater production of Dr. Seuss’s “The Cat in the Hat” at the theater on Sept. 27-28 as part of the Department of Theatre and Dance’s annual Student Directed Series. The series gives students the opportunity to produce and direct a show on their own and this production was the first-ever children’s theater production at UB, based on the 1957 children’s book of the same name by Dr. Seuss.
A backdrop of old VHS tapes and psychedelic visuals set the stage as wild synth patterns clash with violins. NYC band Guerilla Toss has covered everything from ear-splitting punk to ‘80s synthpop. Its gradual evolution has created a satisfying career arc, but one consistent appeal of the group is vocalist Kassie Carlson. Her singing ranges from high-pitched screams to melodic anthem cries, but she always remains the heart and soul of the band’s personality.
Buffalo’s production of “Hairspray” brings something to the musical that professional performances don’t typically see. A student-filled cast. “Hairspray,” despite the uncharacteristically young team, radiated an exuberant energy between the cast and audience that resonated throughout the house.
While audiences won’t see the finished product until later this fall, performers in UB’s upcoming musical have been hard at work since the beginning of May. Even though the actors are students, they receive the same treatment as professionals, and are expected to work just as hard.
“The Threepenny Opera” has been pushing boundaries for 91 years. And UB’s Theatre and Dance Department is continuing that push. There will be an advisory sign on the door for “risque” content on the opening night of the play this week.
ChoreoLab presented a full display of dance, lighting and projections in the CFA’s Black Box Theatre last weekend.
UB’s production of “Julius Caesar” took a modern twist on the classic Shakespearean play.
William Shakespeare is no stranger on a college campus, but students are taking his work one step further with UB’s newest reimagining. UB Theatre & Dance will present Shakespeare’s “Julius Caesar,” at the Center for the Arts. Performances on Friday and Saturday are available to the general public. But the production isn’t without surprises.
Hell awaits a wholesome couple as they wander into a deliciously sinful castle. Brad Majors and Janet Weiss have come out of desperation for shelter from an ongoing storm but have unknowingly entered a world more extreme than the natural disaster that drove them there. Eager phantoms litter the glamorous stage as the couple tries to back away from this madness.
Solutions by The State News
