The collegiate phenomenon "The O.C." has spawned an entire industry of merchandise, including numerous compilation albums from the series. Regardless of the show's quality, it is admirable that the makers continue to give opportunities to bands and artists that no one has ever heard of. The latest "O.C." soundtrack follows the trend, but it is difficult to shake the feeling that it could be a moneymaking ploy.
The album consists entirely of cover songs and does contain some excellent tracks, possibly due to the fact that the original versions are too hard to screw up.
"Float On," originally by Modest Mouse, is covered by Goldspot. The beginning takes on a rather cheerful sound, as if it belongs in a Christmas film. It is one of the most uplifting songs in recent memory, and, thanks to Modest Mouse, the lyrics are clever.
"A fake Jamaican took my last dime with that scam/ it was worth it to learn from sleight of hand."
"Hello Sunshine," performed by Syd Matters, follows suit. The song has been slowed down, and is even more tranquil than the original. The vocals sound similar, but it's not a punishable offense when the song works so well.
"Smile Like You Mean It," an impressive track by The Killers, is paid proper homage as well. The song is quite different all around, while still maintaining the essence of the original. Tally Hall impresses with his voice, teamed with acoustic guitar strums, and the incredible choral line works so well that it actually becomes tricky to decide which version is better.
"Into Dust," originally by Mazzy Star, is one of the most melancholy and beautiful songs ever written. The cover version manages to draw the same sense of wonder while adding new instruments and an upbeat pace.
Some of the covers do not work. Rock Kills Kid's cover of "I Turn My Camera On" is so similar to the original that it's a wonder why they even bothered. The intro may be quieter but the chorus remains the same.
The album is worthy of a fair listen, especially if the listener is a fan of the show. Like the liner notes, which commemorate the life and death of Marissa Cooper, the fictional character played by Mischa Barton, it's so much easier to buy into the music having seen the episodes.
However, not having seen the series shouldn't detract from the album, because it still showcases some wonderful indie and alternative material.
Photo: Courtesy of Laron Fomby
