The word "bipolar" is generally defined as "having or expressing two contradictory ideas or qualities" and is often used to describe those who suffer from manic-depressive illness.
The latest album from the Voodoo Glow Skulls, entitled "Adiccion, Tradicion, y Revolucion," also falls within this definition.
"Adiccion" is the seventh album released by the ska/punk band from Riverside, Calif. The group has been around for 16 years, and is known for being interesting to listen to, not for their quest to establish a unique and personal sound.
Vocalist Frank Casillas writes in both Spanish and English, equally shouted and crooned, political and carefree. The songs are often rescued from inevitable ruin by interplay between the guitars, horns and percussion.
"Ignore the homeless, blame the poor/ All because you got yours/ No understanding in the end/ Vicious cycle over again," Casillas screams on "Mayhem and Murder," one of the album's high points.
"Adiccion" is dominated by the aggressive, thick and heavy punk songs like this. These songs are mostly accompanied by socially relevant lyrics, which hit on numerous issues.
"Censorship dehumanized/ Human struggles televised/ For the sake of bottom lines/ It's not what we represent," Casillas yells on "We Represent."
The song also confronts rising oil prices, the Iraq war, the cost of healthcare and the disappearance of a middle class.
The other face of the Voodoo Glow Skulls shows up in songs like "DD Don't Like Ska" and "Cochino." One of the best ska tracks is "Smile Now, Cry Later," in which the Skulls go strictly by the book.
The ska songs are easier on the ears as well as amusing, with taunting between the vocalist, horns, and guitarist. Unfortunately, the lyrics lose any stance on social issues.
"Eville" is the only exception to the bipolar nature of "Adiccion." The ska horns and slower tempo battle against chanted lyrics during a meeting of the two otherwise exclusive styles of punk and ska. The approach taken to this track sets it apart from the rest of the album but the lyrics are regrettably tired and worn out.
If the Voodoo Glow Skulls could pick one direction and run with it, they could explore a new dimension of their sound and make it deeply personal, but after 16 years, they still aren't ready.
Photo: Courtesy of Matthew Messina, from the RMBERS' Instagram page
