"Musicians use metaphors, so can you!"
They sound like a juvenile's wet dream, bursting with lovesickness and adrenaline. And, like most wet dreams, Zox leaves the listener in a puddle of confusion, embarrassment and relief.
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They sound like a juvenile's wet dream, bursting with lovesickness and adrenaline. And, like most wet dreams, Zox leaves the listener in a puddle of confusion, embarrassment and relief.
Current: "The Areas of My Expertise" by John Hodgman (2005)
If you've ever wondered why horror movies often feature carnivals, it's because there is something intrinsically cryptic about them. Experimental Dental School's new release "2 1/2 Creatures" helps to embellish upon this relationship by lining each and every one of their tracks with a hyperactive organ.
Current: "The Areas of My Expertise" by John Hodgman (2005)
Clamorous groupies can't save the competing bands now, because this year's winner won't be determined by mob mentality.
The Flaming Lips did it again, managing to reinvent that same peculiar sound redolent of patchouli and poorly oiled robots.
It's a movie about one of the most irreparable mistakes of mankind, and it resembles a fairytale.
E-40 needs to see a brake specialist. His "slanguage" may be cute, but his beats are unrelenting. He was probably too preoccupied thinking of a clever name for his latest album, "My Ghetto Report Card," to bother with break-beat techniques. At first his songs are infectious, but after a minute of monotony, it's apparent that each of his tracks are in need of a transition or two.
The Loved Ones use up to three power chords per song, which means they automatically qualify for the genre of punk rock.
Despite the misleading title, the opening reception for "Showpocalypse" commenced without the second coming of Christ. However, the exhibition, located on the second floor of the CFA, showcases the promising work of 14 first-year MFA students who are just beginning to bloom.
Only in a world originally created by Franz Kafka is it possible for an actress to morph from an exotic dancer to a linen closet.
Aimee Mann bathed her audience in melancholic tides of music at yesterday's concert held at UB's CFA. Since her leadership in the mid-80's pop-alt band 'Til Tuesday, Mann has embarked on a much more organic sounding solo career with her 1993 debut album "Whatever."
Most viewers wouldn't consider popping popcorn before watching a one-minute and 10-second video, but the brevity of Elka Krajewska's "70 Seconds" doesn't make this screening any less enjoyable.
Comedian Albert Brooks completely monopolized the creation of "Looking for Comedy in the Muslim World." He fills the role of screenwriter and director, as well as taking the liberty of playing himself.
A one-man band often brings to mind a sweaty street circus musician caged within a garbage heap of instruments.
Imagine the noise made by a cheese-grater abrading an alley cat. If you deem this tolerable, you might like the voice of Matt Arbogast, the lead singer of The Gunshy.
The prickling piano and its maestro, Magnus Martensson, flaunted their bubbly sense of humor at the Brown Bag Concert Series on Nov. 1.
Since his role as Frodo Baggins in "Lord of the Rings," Elijah Wood has grown three feet for Liev Schreiber's new film "Everything Is Illuminated."
The West Coast, and its distinct culture in film and music, may also be developing its own distinct brand of artwork.
Zinab, a crinkly-faced Afghani woman, dares to speak up about women's rights. Her meager list of complaints could easily make the most indignant American feminazi blush.