The U.S. has dominated the film industry over the past century. Boasting widely-recognized talent, high-budget sequences and millions of dollars in sponsorship, Hollywood’s plethora of adventures rarely bore.
Clad in groovy glasses and retro outfits, the singers overwhelm the stage with good vibes and funky dances, every moment and accessory touched with personal flair.
From Nov. 6-7, the Center for the Arts hosted UB’s first Emerging Choreographers Showcase performance since before COVID-19.
From the moment the opening notes of “Time” by Pink Floyd take form in the opening scene of “The Eternals,” it’s clear this is far from what Marvel fans are used to.
“Spencer” is not the name one typically thinks of when remembering the former princess of Wales. It’s a name associated with a certain ordinariness, of a woman before her devastating marriage and claustrophobic relationship with the royal family.
Lana Del Rey, an icon of Americana and melancholy, is known for her successful fusion of genres, themes and motifs in dreamy and dreary deliveries.
“God damn, how real is this?”
From the basement to the ceiling, the CFA teems with art.
“My career has been a quest, a search for roots,” the narrator says, his voice filling the auditorium with the words of the dance pioneer Pearl Primus to begin “Walking with Pearl,” the first dance of the show.
The Student Union’s Flag Room is alive with movement. Swaths of richly dyed fabric sweep through the air as the crowd moves in circles, spinning their bodies in time with the thrumming music. Bare feet patter against the floor. Hands are in constant motion, clapping and weaving rhythmically. Laughter and cries of glee flood the area.
There’s a room with hot pink walls. It’s secluded from the noise of the crowd, naked except for a black gaming chair, a pedestal fixed with primary colored buttons and a TV screen exploding in kaleidoscope-esque designs.
When Kaylie Brinkman began her freshman year at UB, she considered herself bashful and found it hard to “be the person I wanted to be, to speak out loud.”
The UB Arts Collaboratory’s downtown art space, “The Space Between,” closed Sept. 4 after a six-month stint on Ellicott Street. The AC plans to move to a new, permanent location during the spring 2022 semester.
Last week, UB announced that a virtual lecture series focusing on Chinese-language speaking films will kick off on Oct. 21 at 4 p.m.
For anyone feeling lonely, weird or out of touch with the world, thes songs tell the truth about this grisly ailment.
The new season means cold nights, bitter winds and rainy days. But as students take refuge inside from the chilling weather, another season rolls in — the fall film season. With new movies releasing every week, here are five stand-outs for students’ viewing pleasures:
Few artists fly as successfully under-the-radar as Meek Mill. Even with anthems like “Dreams and Nightmares” still bringing clubgoers to their feet nearly a decade later, Meek has always been somewhat overshadowed by industry pioneers like Drake and Kendrick Lamar. But with a dedicated legion of stans, Meek seems unbothered by his rivals, returning as confidently and comfortably as ever on his latest album, “Expensive Pain.”
“Dear Evan Hansen” is the mental health movie of the year, with an inspiring message: “You Will Be Found.”
When Issac deleted Otis’ voicemail to Maeve professing his undying love for her in the final scene of season two’s finale of “Sex Education,” fans weren’t exactly expecting season three to feature the early and tragic death of a cat, Johnathan, — who’s owners night of frisky activity sent a microwave oven flying across the room, crushing him to death — or travel as far as an underground Nigerian gay club.
Once upon a time, Hollywood found its own glass slipper with the fairytale, “Cinderella,” which spawned a trove of beloved movies like Disney’s 1950 animated feature of the same name and Hilary Duff’s teen rom-com “A Cinderella Story.”
Solutions by The State News
