Caldwell’s held numerous musical director roles for nationally touring plays and played with some of jazz music’s finest groups, including the Count Basie and Duke Ellington orchestras. He’s learned from jazz composers like Wendell Logan and Frank Foster. The pianist plays stride music with a smile on his face, achieving tonal excellency and exquisite form. He’s completely engrossed in his performances, conveying an original style and striking keys with an effective groove.
October has passed, Halloween is over and just about everyone has created a playlist with multiple entries of “All I Want for Christmas is You.” But we still have a month before it’s socially acceptable to get festive with Mariah’s five octave vocal range. Instead of jumping on the holiday bandwagon, check out these fresh November-ready tracks. N.E.R.D ft.
The UB Concert Band, led by music department Professor and Director Jon Nelson, joined the Genkin Philharmonic for their annual fall performance at Slee Hall. The two groups came together to present “A Young Person’s Guide to the 20th Century.”
Comedians such as Tom Segura or Anthony Jeselnik are characterized as extremely dry comics. Bill Maher is often saddled with this description, but is in a category all his own. The political personality and stand-up comedian provided theatergoers with an evening of controversial comedy at Shea’s on Sunday night. Maher discussed everything from sex to politics, showing that no topic was too off-color.
The death of Taylor Swift’s reputation led to the birth of her most impressive artistry yet. Swift’s new album, “reputation,” draws you in immediately with the fast-paced and edgy “...Ready for It?” Swift declares on the song he “knew I was a robber / first time that he saw me, / stealing hearts and running off and never saying sorry.” The lyric is a half tongue-in-cheek, sly jab at the tabloid media’s portrayal of Swift as boy crazy heartbreaker and half smugly self-aware. Rather than completely shirking the public’s perception of her, Swift displays a huge leap in maturity by acknowledging her flaws and mistakes.
All the makings of a historic night were visible at Kleinhans on Thursday night. Renowned author Toni Morrison took the stage in another installment of Just Buffalo Literary Center’s 2017-18 BABEL series. Morrison, speaking on the 50th anniversary of Dr. Martin Luther King Jr.’s address in the same venue, discussed her lengthy career and discussed each of her 11 well-read novels. Before the main event, singer-songwriter Drea d’Nur opened the evening with a dose of soul. The artist played a deep ranging rendition of “A Change is Gonna Come” met with thunderous applause.
Turkuaz had barely ran through their latest album “Digitonium,” three hours into their set. The group ended the show with their hit song “The Generator.” Lead vocalist and guitarist Dave Brandwein thanked the crowd, signed off and the rest of the group followed off stage. The show ended without Turkuaz performing their most popular song, much to the crowd’s disappointment. Some clapped for the end but most hollered for an encore.
The ’60s haven’t ended yet, at least not until Haley Reinhart puts down the microphone. The “American Idol” alum and Postmodern Jukebox singer just released her third studio album, “What’s That Sound?” on Sept. 22. The record is a classy and tasteful collection of cover songs and originals, all featuring Reinhart’s golden voice. At 27 years old, Reinhart’s career is just beginning. “American Idol” gave her the tools for success in 2011, but Reinhart is embarking on her own journey to the past. The singer discussed her musical adventure, new album and touring the world in an exclusive interview with The Spectrum.
The reverend and celebrated civil rights leader delivered his “The Future of Integration” address to a sold-out crowd at Kleinhans Music Hall on Nov. 9, 1967. In his speech, sponsored by GSA and SA, King spoke on the status of race relations in America and briefly condemned the ongoing war in Vietnam.
The Grammy-award winning music icon appeared Saturday night at the KeyBank Center, one of her stops on her ongoing State of the World tour. Jackson performed over 30 songs to a crowd of thousands downtown, impressing through a series of electric dance numbers and up-tempo pop jams.
Tom Segura’s comedy travels a myriad of avenues. From podcasts to multiple stand-up specials on Netflix, the Ohio-born comedian spreads jokes in any way he can. His upcoming tour, “No Teeth No Entry,” will continue to cast his line out in the comic sea, hitting the Center for the Arts (CFA) on Nov.
Singer-songwriter Chastity Brown is coming to Buffalo, fresh off the release of her latest album “Silhouette of Sirens.” The artist, known for her blending of roots and folk music, will be touring the nation – stopping in Babeville on Nov.
Regina Mason’s quest to discover her ancestry started as a child. Today, her journey has been transformed into an award-winning film. Mason presented a screening of “Gina’s Journey: The Search for William Grimes” on Thursday night to a crowd of nearly 100 attendees at the UB Jacobs Executive Development Center.
The weekend before “Hallo-weekend” can be pretty lame. Nobody’s dressing up, nobody’s handing out free snacks and worst of all, nobody’s playing “Monster Mash” all night at their headache-provoking basement party. But who needs “Monster Mash” when you can listen to other songs for an hour and a half?
From prose poems to musical performances, the 2nd annual riverrun Global Film Series escaped the big screen at the Burchfield Penney Art Center. The series focused on Cuban cinema and culture from Thursday through Saturday, bringing nearly 600 people for nights of screenings and readings.
It’s hard to dismiss a 52-year-old story but Professor Bruce Jackson isn’t afraid to try. When Bob Dylan played his first-ever electric set at the 1965 Newport Folk Festival in Newport, Rhode Island, legend insists that the crowd booed him. Dylan’s decision to go electric infuriated the crowd, according to this popular belief.