Skip to Content, Navigation, or Footer.
Logo of The Spectrum
Monday, June 24, 2024
The independent student publication of The University at Buffalo, since 1950

The Grapevine: How to infuse your fall semester with live music

Plenty of live acts are coming to Buffalo and Toronto this fall

Various acts are performing around Buffalo this fall.
Various acts are performing around Buffalo this fall.

There’s nothing wrong with listening to music in the privacy of our headphones and bedrooms, but there’s something cathartic about experiencing music live, surrounded by other screaming fans. 

If you’re looking for opportunities to appreciate new music this fall, there’s something for everyone. The music you listen to as a young adult may shape your taste for the rest of your life, so be sure to exhaust your options and keep an open mind!

Senses Fail — Town Ballroom

Sept. 13

There’s plenty of pop culture nostalgia to go around.  Punk rock artists like Senses Fail, which relieved listeners, namely adolescents, of the isolating depths of hopelessness by invoking violent imagery in the early 2000s. Their loud laments and strong, expeditious guitar strumming put a tune to what it means to let your intrusive thoughts win. If there is one night to indulge in punk, it’s this night.

Tickets are $28

Digable Planets — Town Ballroom  

Sept. 20 

The prolific yet meticulous sampling of melodic jazz coupled with the profound and slick lyricism from ‘90s hip-hop artists is the unforgettable trademark of the Brooklyn-based trio, Digable Planets. The group is celebrating the 30th anniversary of their debut album, “Reachin’ (A New Refutation of Time and Space),” which was named after an essay by Argentinian writer, Jorge Luis Borges. In this project, the members aspire to Borge’s theory that time and space are conceptual and explore that through the lens of Afrofuturism.

Tickets are $36 in advance and $42 at the door

Bruno Major — HISTORY (Toronto, ON)

Sept. 26

Self-described as a Randy Newman-inspired lyricist, a Chet Baker-inspired singer, and a James Blake-and J Dilla-inspired producer, Major invites listeners to ponder the breadth of the human experience. Whether it’s somber or romantic, you’re bound to take away an earnest lesson from Major’s subdued vocals and sensitive production of the piano and guitar.

Resale tickets start at $58 CAD

Broken Social Scene — Town Ballroom

Sept. 30

This indie-rock collective may fluctuate between having six and 19 members, but their sound is never compromised by any absences. They deviate between and beyond the softness and roughness of rock while experimenting with pop-adjacent ambient sounds. Although they were formed in the early 2000s, their sound may resonate with fans of Sufjan Stevens, the National and Big Thief today. 

Tickets are $35

Wu-Tang Clan and Nas — Scotiabank Arena (Toronto, ON)

Oct. 1

Notable for being the arbiters of the hip-hop sound, the Wu-Tang Clan and Nas have struck listeners since the ‘90s with their poetic and personal lyricism. While both artists could headline their own shows, the charisma behind their rhythmic camaraderie reminds listeners that the whole is greater than the sum of its parts.

Tickets start at $63

Stevie Nicks — Keybank Center

Oct. 4

The Rock and Roll Hall of Fame inductee and Fleetwood Mac singer carries herself in a majestic manner. She sings so frequently about mystic experiences that she’s often characterized as a witch. Regardless, the impenetrable allure of her coarse alto and poised stage presence against what remains of rugged ‘80s rock instrumentals today will leave you bewitched.

Tickets start at $77

Thundercat — Buffalo Riverworks

Oct. 14

Thundercat’s “Them Changes” has had its run on TikTok, but don’t let that make you think that his discography isn’t worthwhile. Thundercat impressively produces a blend of funk, jazz and R&B, while preserving the whimsical nature of jazz. The spontaneous riffing of his bass, synths and innocent lyrics make the listening experience exciting and unpredictable.

Tickets start at $39.50

Tennis and Sam Evian — Asbury Hall - Babeville

Oct. 25

Tennis is the result of the deep affection between husband and wife, Patrick Riley and Alaina Moore. The duo deliver mesmerizing vocals, plump synths and a “retro” — although they prefer timeless — pop and rock sound from their infusion of ‘60s and ‘70s melodies. Sam Evian, who’s produced for Big Thief and frequently contributes to Cass McCombs’ projects, has crafted his own discography by drawing inspiration from the 60 demos he’s scratched through during the pandemic. Evian combines tinges of Marvin Gaye and John Coltrane with a deep psychedelic rock sound.

Tickets are $25

Ms. Lauryn Hill and the Fugees — Scotiabank Arena (Toronto, ON)

Oct. 26

Revered for creating one of the greatest hip-hop albums of all time, Lauryn Hill set the precedent for future neo-soul artists through a revolutionary blend of R&B, hip-hop, blues and soul after releasing her only studio album, “The Miseducation of Lauryn Hill.” The prose from Hill’s husky yet tender voice illuminates an optimistic attitude toward the personal and social deprivation that she and her community suffer from. 

Hill jump-started her musical career on the Fugees’ album, “The Score,” where the trio’s reggae cover of Roberta Flacks’ “Killing Me Softly With His Song” shortly prompted worldwide recognition. The Fugees, made up of Hill, Wyclef Jean and Pras Michel, named themselves after a shortening of “refugees.” They originated a cross-cultural movement with Afro-Caribbean roots in their dynamic sound of reggae, hip-hop, jazz-rap and R&B. 

Tickets start at $120 CAD

Tenzin Wodhean is an arts editor and can be reached at tenzin.wodhean@ubspectrum.com  

Comments


Popular




Powered by SNworks Solutions by The State News
All Content © 2024 The Spectrum