Best films of 2013: Jake’s personal picks
Published: Thursday, December 5, 2013
Updated: Thursday, December 5, 2013 16:12
Were you expecting someone else?
For those unaware, I wrote movie reviews for The Spectrum for two years. Every December, I compile a list of the best films I saw within the year. I graduated last spring, but my passion for reviewing films is far from expiring.
By tradition, I will sort the films by genre instead of making a Top 10 list, as that would be premature before the year has ended.
Best action film:Pacific Rim
Olympus Has Fallen and The Lone Ranger tied for a close second, but Guillermo del Toro’s Pacific Rim set the bar for 2013. Del Toro (Hellboy II: The Golden Army), a master of including full-scale visuals in films like the Hellboy series and Pan’s Labyrinth, has raised the stakes in modern special effects. Set about a decade in the future, Earth is ambushed by the Kaijus – colossal, reptilian beasts that enter our world through portals (cousins of the creature from Cloverfield, perhaps). Humans retaliate by constructing robots that make the fighting bots from Real Steel look like Happy Meal toys. Del Toro goes the extra mile by developing a backstory to the war, providing context to the riveting action scenes with the Kaijus slashing and the bots bashing.
Best animated film: Monsters University
Pixar is back on track after last year’s underwhelming Brave, which won a pity Oscar for Best Animated Feature over clearly superior movies Wreck-It Ralph and Frankenweenie. Monsters University revisits monsters James Sullivan (John Goodman, The Internship) and Mike Wazowski (Billy Crystal, Parental Guidance) years before they broke the all-time scare record at Monsters, Incorporated. While Monsters, Inc. was more sentimental, this sequel is funnier, probably because Crystal’s character takes the lead this time. Hopefully the Academy doesn’t hesitate to award Pixar this year over the overhyped Frozen, but my initial predictions tell me I won’t get my way.
Best comedy: This is the End
A comedy that can coax Emma Watson to cuss and threaten people with an axe has something special going for it.Seth Rogen and Evan Goldberg have outdone themselves. The duo, who wrote first-rate comedies like Superbad and Pineapple Express,have finally made its directorial debut with This is the End, an expansion of the short film Jay and Seth Versus the Apocalypse. This obnoxious comedy follows Rogen (The Guilt Trip) and Jay Baruchel (Cosmopolis), essentially playing themselves, attending a party at James Franco’s (As I Lay Dying) house. Rogen and Goldberg’s screenplay allows the actors to parody themselves and their relationship with the industry, like Franco recalling his unfortunate involvement in Your Highness. The jokes are vulgar and cruel, but honest to how these actors think about themselves. I don’t doubt these guys would act this way during Judgment Day, although maybe the cannibalism was a bit much.
Best Horror Film: The Conjuring
The Conjuring is the only shoe-in victor in this year’s list, as the quality of the horror genre seemingly plummets each year. It’s always about possession this, and exorcism that, and don’t get me started on the aggravating “Found Footage” nonsense. And while The Conjuring contains possessions and exorcisms, it takes delicate care of each scene with such precision, all aimed to haunt and linger over the minds of the audience. Director James Wan, of Insidious and Saw fame, pays homage to his unconditional attachment to the horror genre by making each scene as unsettling as the next. He focuses more on building suspense and limits the jumpy ‘Gotcha!’ moments that clunkers like Paranormal Activity 4 have used.
Best sci-fi film: Gravity
Gravity is a rare film that values the experience of sitting in a theater. It might be a lesser film if viewed on a smaller screen. Alfonso Cuarón, whose last feature film Children of Men was one of the best films of 2006, has crafted a space thriller comparable to Kubrick’s masterpiece 2001: A Space Odyssey. A crew of scientists is abandoned somewhere in Earth’s orbit when satellite debris crashes into their space shuttle. Dr. Ryan Stone (Sandra Bullock, The Heat) and Cpt. Matt Kowalski (George Clooney, The Descendants) survive the initial incident and are left adrift. Cuarón’s analogy for the insignificance of life compared to the vast power of the universe is remindful of Terrence Mallick’s great The Tree of Life. Director of cinematography Emmanuel Lubezki, who also photographed The Tree of Life, should be a shoe-in for his sixth Oscar nomination and first win come March. And if the Academy recognizes Bullock for her transforming work, it will be a sign that it has changed for the better.